The Art of Perseverance:

Should You Finish a Sketch You Don’t Like?

Every artist has faced that moment of doubt—the creeping feeling that a sketch isn’t going the way they envisioned. Perhaps the composition feels off, the colours don’t quite sing, or something just doesn’t sit right. The question is: should you push through or abandon the piece altogether? While some artists persevere, hoping to salvage their work, others prefer to step away, reflect, and learn from the experience. Let’s explore both approaches, weigh their benefits, and hear from artists who have faced the same dilemma. 

The Inner Critic: When Doubt Creeps In

Art is as much a mental challenge as it is a creative one. Many artists, no matter their skill level, experience moments of self-doubt. Sometimes, this feeling is rooted in perfectionism. This relentless inner critic can make it difficult to appreciate what’s working in a piece. It whispers that the sketch isn’t good enough, that it doesn’t look ‘right,’ or that others will judge it negatively. But what if we shift our perspective? Instead of treating the inner critic as an enemy, we can see it as a guide—pointing out areas for improvement while also reminding us to step back and reflect. 

Urban Sketch + Member Elke Haimhof raises an important question: 

“Why are we always so hard on ourselves?! But I do understand that sometimes there is a nagging feeling that something is not quite right.” 

When these feelings arise, take a deep breath. Ask yourself: is my inner critic guiding me toward necessary adjustments, or am I simply being too harsh on my work? 

I completed this sketch called 96 Ranch Rd...a cool dirt road in the desert. BUT I don't like it. Thought I had it all planned out but the entire time I worked on it, there was part of me that didn't like it. Do any of you ever keep pushing even though even when you feel uneasy about the sketch.?-PLUS Member Alice K

The Case for Pushing Through: Growth Through Challenges

Sometimes, sticking with a sketch, even when it feels ‘off,’ can be an important learning experience. When an artist continues despite uncertainty, they develop resilience and problem-solving skills. Pam Rhodes puts it perfectly: 

Even if we don’t like it, we always learn something from doing it. So even if it doesn’t end up hanging on a wall, it’s worth pushing on through!

When a piece isn’t turning out as expected, it presents an opportunity to experiment. Maybe adding a darker value, adjusting the contrast, or refining the composition can breathe new life into the sketch. Instead of abandoning a piece outright, consider what small adjustments could enhance it. By pushing through, you train your eye to see improvements and cultivate patience in your artistic journey. 

MArgaret calvert – Urban Sketch Course
Sketch By Student Margaret C- "Not happy with it, but I persevered to finish it."

Shape The Case for Stepping Away: Gaining a Fresh Perspective

While perseverance has its benefits, knowing when to step back is just as valuable. Patty Edge shares her approach:

“Yes, I often push through and then wished I hadn’t. I find it better to walk away and a few days later have another look. Then it seems much more clear what I need to do.”

Time away from a piece allows an artist to return with a fresh perspective. What seemed like a glaring mistake in the moment may turn out to be a minor issue—or not an issue at all. This pause can also reveal the real source of dissatisfaction. Is it the colour palette? The lack of depth? The way the road blends too much with the surroundings? 

If you decide to revisit a piece, try viewing it in different lighting, holding it at arm’s length, or even photographing it and looking at it in grayscale. This can help identify areas for subtle improvements. 

Sketch By Student Elke H- "I had overdone it a bit with toning for my Wyle Cop Sketch, so decided to turn it into a moon light scene."

Accepting Imperfection: The Beauty of ‘Flawed’ Sketches

Not every sketch will be a masterpiece, and that’s perfectly okay. One of the greatest joys of urban sketching is capturing a moment rather than achieving technical perfection. Sometimes, what we perceive as flaws are actually what give a piece character and energy. 

“I know these feelings very well, but I’m trying to overcome this voice/critic.

Art is deeply subjective. A sketch you dislike may be one that others find striking and beautiful. What’s more, imperfect sketches provide the foundation for improvement. The more an artist experiments, the better they understand composition, contrast, and form. 

Instead of seeing a ‘failed’ sketch, consider it a stepping stone to a stronger, more confident artistic voice. 

Student artwork by Steph D – Urban Sketch Course
Sketch By Student Stephanie D-"spilled water on it, so it got horribly blotchy. At home I remade the sky with guache."

Finding Your Own Approach: Experimentation is Key

Ultimately, whether to push through or walk away is a personal decision. Some artists thrive by working through challenges, while others benefit from starting fresh. What matters most is recognising what works best for your growth. 

If you’re unsure, try both methods. The next time a sketch isn’t working, push through and see what you can salvage. In another instance, step away and return later with fresh eyes. By experimenting with both approaches, you’ll develop a better understanding of your creative process. 

When struggling with a piece, ask yourself: Am I being too critical? What is one small adjustment I can make to improve it? Could I benefit from stepping away and reassessing later? These questions can guide you toward the best decision for each individual piece. 

Student artwork by Ron D – Urban Sketch Course
Sketch By Student Ron D- "Almost thought I would abandon this one. Didn’t like how the right building and courtyard tuned out. But, think main building worked out ok after a little work."

Conclusion: Embrace the Process, Not Just the Result

At the heart of urban sketching is the joy of capturing a moment, experimenting, and growing as an artist. Whether you choose to push through a difficult piece or step away and start fresh, each decision contributes to your artistic journey. 

Next time you feel frustrated with a sketch, take a moment to reflect. Ask yourself what you can learn from the process and how you might approach it differently next time. Every experience—whether finishing a challenging piece or abandoning it—is a valuable part of your growth. 

So, should you finish a sketch you don’t like? Only you can decide. But whichever path you take, remember: every stroke, every line, and every colour choice brings you closer to mastering your craft. 

Ready to learn more?

Learn the art of urban sketching with Ian Fennelly in our Beginner’s course as he guides you through 47 easy-to-follow lessons, with practical exercises, that transform you from complete beginner to skilled urban sketcher!

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About the Artist

Ian Fennelly focuses on capturing urban spaces and environments by drawing the places where people have been without actually including them.

His process involves layering watercolors, brush pens, and liners to build depth, texture, and detail, allowing them to fully immerse in the scene while adapting to changes in their surroundings.

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